Your Weekend Entertainment –Jazz From Malaysia


June 14, 2014

Your Weekend Entertainment –Jazz From Malaysia

din and kamsiah2Dr. Kamsiah and Din Merican

For listening pleasure, Dr. Kamsiah and I present Jazz from Malaysia featuring the RTM Combo led by Ahmad Shariff, Radio Malaysia Orchestra under the direction of Alfonso Soliano and Gus Steyn, and the crooners of the 60s era.

My dearly departed cousin, Dato’ Ahmad Daud and  Zain Azman, my friend at the malaysia-endless-possibilitiesRubber Research Institute (known in the 1960s as the Nat King Cole of Malaysia) are  also featured here. Malaysia is a country full of talent and rich in culture and music (including Jazz).In fact, it is a land of Possibilities, if only we know how to utilise our  diverse cultural heritage, and talent pool.

That said, let us relax since this week, as reflected in the postings on this blog, was an equally emotionally draining one. Keep well and enjoy your Sunday.–Dr. Kamsiah and Din Merican

RTM Combo–Ahmad Shariff

Aku Dia & Lagu

Di Taman Seputeh

Musalmah

Mimpi

Alfonso Soliano

Ayam den Lapeh

Mimpi Ku Semalam

Ku Kan Kembali

Gus Steyn

Ahmad Daud

Zain Azman

Stand Up for Democracy And Stand By Anwar Against Kelptocracy


March 7, 2014

Stand Up for Democracy,Freedom, Justice And Stand By Anwar Against Kleptocracy 

Stand Up for each other, Pakatan Rakyat.  Fight for freedom, democracy and justice. We have no option. Today’s Court of A Appeal decision makes Anwar the driving force for change in our country.  Let us not feel dejected. Our fight goes on against the dark forces of repression, arrogance, oppression; and like Badwawi’s supression, Najib will fall on the count of three.–Din Merican

by Josh Hong@wwww.malaysiakini.com

TDMBaruFor nearly 16 years now, Malaysian politics has been stuck in skullduggery just because one influential and popular individual by the name of Anwar Ibrahim was – and is – determined to challenge UMNO’s hegemony embodied by Mahathir Mohamad’s autocracy.

The sodomy issue is like a sword of Damocles that hangs forever over Anwar’s head. When he was acquitted for the first time over Sodomy II back in January 2012, some were quick to attribute the verdict to a restoration of judicial integrity. How premature the conclusion was, I would say.

Although there have been cases where justice was seen to be done, including a series of decisions against UMNO mouthpieces such as Utusan Malaysia and TV3, it would seem that the Judiciary remains very much beholden to the powers-that-be whenever the latter’s ultimate authority is severely challenged.

In other words, as long as the opposition adhered to the rules of the game laid down by UMNO and played its role within the permitted boundaries, it was allowed to survive but not to thrive.

Until, of course, the power of reformasi was unleashed by Anwar and turned the UMNO game upside down. Since then, the party that claims to represent the Malays has been fighting tooth and nail to stay relevant.

Still, neither Mahathir nor Najib Abdul Razak ever doubts the sodomy trump card that they have, alongside the advantages that UMNO holds as the ruling party. While Najib grudgingly accepted the not-so-splendid outcome of the 13th general election, he was privately relieved that more than sufficient time had been secured for him to say in power.

But Najib’s fortunes started to dwindle in no time as the costs of living were rising as a result of his hastily implemented economic measures.

At the same time, Mahathir and his cohorts cashed in on the increasingly discontents at the grassroots level by attacking Najib’s lacklustre performance, although the ex-dictator is never under the illusion that every act of defiance on his part is meant to soothe his immense grievances over his son’s failure to make it to UMNO’s top leadership.

So Najib was on the verge of repeating what Abdullah Ahmad Badawi had gone through – an ignominious exit that was.

Anwar-KajangAt this juncture, Anwar pre-empted Najib with the Kajang Offensive, seeking to regain the momentum that was clearly lost post-GE13.

All at a sudden, the public’s zeal for a regime change was aroused, posing a serious threat to UMNO’s legitimacy once again.

Should Anwar win big in Kajang, it would deal further blow to Najib’s diminishing authority within the party and nationwide.

Talk of reconciliation

Prior to this, there had been talk of reconciliation, with both sides of the political divides seemingly warming up to the idea.

I had chastised Anwar in no uncertain terms over the overtures that he had been making towards UMNO for the simple reason that the party that has ruined each and every public institution over the last 30 years and trampled on our national dignity time and again can never be trusted as a partner.

Then Anwar appeared to have changed his mind and decided to go on the offensive. But his Kajang strategy was interpreted by Najib as a betrayal on the consensus between them, which explains the rush to move the Sodomy II appeal forward to stop Anwar from getting closer to assuming a greater role in politics.

A calculative politician, Najib most probably decided to finish Anwar off by sending him to jail so that he gets to keep Putrajaya, while simultaneously appeasing Mahathir.

Yes, the Kajang Move has clearly backfired and one can go on arguing whether it was ethnical or justifiable from the very beginning. However, the very cruel reality remains that Umno is so arrogant and powerful that judges must disregard all the evidence and convict its opponents on the shakiest grounds.

Mahathir is the happiest man for now, but the country and the people will eventually pay for his and Umno’s perfidy unless a new generation of Malaysians are prepared to rise up against all the injustices.

Favourites from the Zain Azahari Collection


December 5, 2013

Favourites from the Zain Azahari Collection @ The Edge Galerie

MY COMMENT: This is the first time I feature art on this blog. HavingKamsiah and Din2 been to the Opening Day of this excellent art exhibition at the Edge Gallery in Mont Kiara with my wife, Dr. Kamsiah, I cannot not resist posting this review (http://artklitique.blogspot.com/2013/10/favourites-from-zain-azahari-collection.html?m=1).

Apart from the fact that Zain Azhari is my friend and golfing mate, and  I have  the highest regard for the many fine human qualities of this septuagenarian, I felt this review reflects exactly how I felt as I saw the paintings on display.

I have seen some of them before at Zain’s home and office, but not collectively ina  single place. In my view, it is a sample of the finest art collection by an individual in Malaysia.Thanks, The Edge Gallery and Zain for making it possible for members of the public to see them.

Zain is passionate about everything he does from his legal work, music, golf, reading, and art. He is an amazing man. –Din Merican

Favorites from Zain Azahari Collection

Pastoral, sensual, vigorous – these common descriptions surmise the prominent art collection of Zain Azahari, where a selection of 38 pieces are displayed at this exhibition. Large works by Ibrahim Hussein and Hendra Gunawan greet the visitor with titillating intent, where Fauvist colours and sinuous contours excite primitive human senses. Flanking both sides of the lobby, Latiff Mohidin and Anuar Rashid arouse the spiritual with abstract illustrations of great control and harmonious beauty, easily subjugating works by young artists hung in the same area.

Ramlan Abdullah’s aluminium sculpture also blends into the gallery’s medieval design, as the contemporary takes a back seat to master artists belonging to the Modern era. Earth and human form an unbreakable bond in these works, implying the collector as one whom possess deep faith and a resilient outlook of life.

Zain No 1Kampung truths: Jalaini Abu Hassan – Di Murahkan Rezeki, Di Berkatkan Hati (2011)

This philosophy is clearly specified in Jalaini Abu Hassan’s meditative ‘Di Murahkan Rezeki, Di Berkatkan Hati’, a minimal juxtaposition of objects (by Jai’s standards) beautifully rendered, where words elucidate Malay sayings and its connotations. When utilised correctly, writing creates additional dimensions on a canvas, Mangu Putra’s picture of utter despair being a good example. Academic painting typify depictions of toil and hard work, contrasting with the creative expressions of Mount Merapi by Affandi and Srihadi Soedarsono.

Illustrations of human feet seem to captivate the collector, who own a couple of high-priced watercolour masterpieces by Chang Fee Ming. Among the elegant dancing figures shown, including Latiff’s curious ‘Bird Dance’ sculpture, a menacing ‘Barong’ by Popo Iskandar emerges proudly from the shadows.

Zain No.2Crimson tide: Latiff Mohidin – Malam Merah (1968)

Zain’s collection boasts many works by the renown Latiff, none more significant than ‘Malam Merah’. Lively strokes of purple, yellow, and white, provide an inherent energy to the amalgamated Pago-pago, as a single horizontal line allows the sun / moon to set. The remaining areas are painted crimson red, while darker brush strokes sketch movement that augments the powerful picture. Cheong Soo Pieng’s tender ‘Mother & Child’ follows in the Nanyang tradition, which the pioneer artist updates via a rare oil painting.

Zain No. 4Why brown? Ibrahim Hussein – Farewell to New York (1969)
Previously unseen to the public is Ib’s ‘Farewell to New York’, a witty nude done in his characteristic Pop manner, where the curious usage of brown as its background has me polishing my chin while pondering the rationale. More sensuality is exhibited in Anthony Lau’s ‘Exstacy’, a wooden pair of smooth forms that recall natural contours, its overt tension depicted in the horizontal gap.
Zain No. 5Gliding sarongs: Dzulkifli Buyong – Four Friends (1964)
Hung low to provide viewer clarity, many works from this collection are museum-worthy, with the occasional odd gem standing out beyond Nusantara motives. Dzulkifli Buyong’s quirky ‘Four Friends’ “captures that single moment that is the birth of our Malaysian Modern art movement”, as described by curator Anurendra Jegadeva. Simple pastel colours, gliding sarongs, lily buds in the air, and innocent human gestures – I will not be surprised if the artist was in fact drawing 4 versions of his self.

Moving from flying figures to floating heads, Agus Suwage’s brilliant red fields pay tribute to artistic influences in an unconventional manner, the depiction like a tinted collage filtered through a computer program. Singling out figurative subjects is Ahmad Zakii Anwar’s contemporary approach, the huge portrait of a hippopotamus beckoning the viewer to come closer and swat flies, while the logical me clamour to inject meaning into a successful aesthetic.

Despite having a shorter tradition in picture making, the Malaysian works hold their own when compared to the diversity displayed in the Indonesian paintings. Among the many natural landscapes, a hazy wetland and a vertically-stretched Batu Caves signify personal importance, the former a nostalgic memory and the latter being Zain’s first collected artwork (a wedding gift!). Zain’s stories and passion are expounded and repeated across few essays in the catalogue, inspiring all who appreciate art.

Zain No.3From Kahli, Van Gogh, Bueys, Sudjojono, Freud to Hiroshige: Agus Sugawie– Agus SuwagePemandangan Dunia Wi (Earthly Landscape) (2011)

Having amassed 400 works over the past 50 years, Zain Azahari’s collection is a testament of one’s relentless pursuit of art on one’s personal terms. Not a luxury item, never an asset type, consistent in vision, absorbing one’s soul and intellect. I may not share Zain’s taste in art, but I do share a similar passion, which makes him my Art Collector idol for years to come.

Weekend Entertainment: Back t0 the Good Old Days


November 9, 2013

Weekend Entertainment: Back t0 the Good Old Days

Dr. Kamsiah and I feel that for this weekend’s DDM and DDKamsiahentertainment we should go back in time–to 1960s and 1970s–and feature the voices of Malaysian singers like Ahmad Daud Hashim, Zain Azman, Zainal Abu and Wan Salman. Let us not forget Johor born Dato Shake who found fame and fortune in Paris, France with his hit song, Tu sais je t’aime. We think it is also appropriate to feature Kembara and M.Nasir who made the pop charts in 1970s with their hit song, Express Rakyat.

May the tunes we present for listening pleasure bring back sweet memories of what used to be the simple life of the average Malaysian. Keep well. 2013 is nearing its end and we must now reflect on what 2014 will bring us.–Dr Kamsiah and Din Merican

Ahmad Daud Hashim

Zain Azman

Zainal Abu

Wan Salman

Dato Shake

Kembara and M. Nasir

Your Weekend Entertainment


September 22, 2013

Your Weekend Entertainment: Featuring Nat and Natalie Cole

Dr Kamsiah and DMFor this sabbath morning, we feature Nat King Cole and his lovely daughter, Natalie Cole. You can note that Natalie has the talent of her late father (dec. 1965) and more. Also please listen to our special guest Billy Paul’s rendition of Me and Mrs. Jones  So let us start the music as the show must go on, despite the dirty politics we witness everyday here in Malaysia.

Expect more in the coming month since UMNO goons will be in town in their suits and blazers with laptops, state of the art handphones and generous pocket money from candidates for elected posts. They will be at the UMNO General Assembly, Putra World Trade Center,Kuala Lumpur. While they will be backstabbing one another and shouting ultra Malay nationalist sentiments, they are doing multimillion ringgit deals with gullible Chinese businessmen. It is very comical to see this Malay sandiwara and wang kulit (see pic below). All the best.–Dr. Kamsiah and Din Merican

umno-tikam-belakang

Nat King Cole

Natalie Cole

Billy Paul–Me and Mrs Jones